Frozen II 2019 Filmaffinity
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Frozen II 2019 Filmaffinity
Equipo De Filmación
Coordinación Departamento de arte:
Ruwayda Tiara
Coordinador de acrobacias:
Lécuyer Quintin
Diseño de guión:
Boulud Eiry
Imágenes : Hess Nawel
Co-Produzent : Ussama Izia
Productor ejecutivo : Mattis Deshna
Director de arte supervisor:
Hailee Plamedi
Produce|Producir : Clem Shanan
Actriz : Zafar Donavan
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Título de la película | Frozen II 2019 Filmaffinity |
Momento | 122 minutos |
Lanzamiento | 2019-11-20 |
valor | FLV 720p HDRip |
Categoría | Animation, Family, Music, Adventure |
habla | English |
nombre de reparto | Loïc X. Lavocat, Marcano HoldingsSonja T. Jozlyn, Bearse M. Lekisha |
[HD] Frozen II 2019 Filmaffinity
The kingdom of Arendelle needs to be evacuated when the forces of nature threaten to destroy it. Elsa, Anna, Olaf and Kristoff set off to find some answers. But Elsa has been distracted. She has been hearing an unfamiliar voice calling out to her in a strange tune. Led by her, the group follows the melody to find themselves at the edge of an Enchanted Forest with untold mysteries and dangers.
Rather than retracing the steps of its record-breaking predecessor, ‘Frozen 2’ tries some new thematic tricks. This time around, the surprisingly mature plot focuses on transformation and growing up. The film’s setup leading up to the climax appears to be promising, but its third act doesn’t quite live up to expectations. The conflict resolution lacks a sense of impact and feels rushed. This is particularly baffling since the first half tends to meander, focusing on songs than on purposefully furthering the plot. Additionally, the tracks are far too many and certainly not as catchy as the first film. Which isn’t to say they are bad – the compositions are layered, but it is yet to be seen if they have enough sing-along power to become as popular as ‘Let It Go’. Still, the picturizations of the music is incredibly captivating.
This extends to the rest of the film’s animation too, and some vibrant colors combine with photo-realistic visuals to create quite a spectacle. Minor details are noticeable as they enhance the essence of each character. While each of the group gets their moments, Elsa and Anna continue to be the focal points. The uncontainable chemistry of Idina Menzel and Kristen Bell, respectively, picks up where they left off without missing a beat. Olaf provides ample humor, either in visual slapstick or by Josh Gad’s endearing yet tongue-in-cheek, almost self-aware delivery. An interesting new character played by Sterling K. Brown is an immediate standout. However, a subplot involving Kristoff and Anna feels shoed in to give Jonathan Groff something to do besides singing probably the most amusing song in the soundtrack.
It’s a tall order to expect this sequel to capture the lightning-in-a-bottle magic of the original, but Frozen 2’s stunning eye-candy and humor will be enjoyable enough for its younger core audience.
While ‘Frozen 2’ isn’t as strong a film as I had hoped it would be, I wouldn’t go so far as to call it a disappointment. It’s still incredibly entertaining and I found myself engaged throughout. These films do have an undeniable charm, and outside of the now-completed ‘How to Train Your Dragon’ trilogy, ‘Moana’ and Laika’s ‘Missing Link’, these are the only major American animated films attempting the use the form to create a cinematic experience. It is a pity that the story never finds its feet; a combination of this level of craft and a real ripper of a yarn would have made this a slam-dunk. As it stands though, the magic of the ‘Frozen’ franchise is still there - dimmed, but there nonetheless.
- Daniel Lammin
Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-frozen-2-elsa-and-anna-return-with-the-magic-mostly-intact
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As you should know by now, I enjoyed Frozen more than I expected. Therefore, I was genuinely excited about its six-year sequel. It’s one of the few movies in 2019 to which I went in 99% blind. I didn’t watch a single trailer, I barely saw any images or small clips, and I didn’t know anything about where the story was going. So, with my expectations moderately high, how did it perform? Very, very well. I’m going to write it straight away: I enjoy this sequel more than the original. For one simple reason: it possesses a more emotionally complex narrative, one which I think the target audience (basically kids) won’t even fully understand.
It’s really hard to create an animated flick with a story that works for both adults and children. The best of the best are the ones that are able to almost tell two different narratives: one simpler for kids with basic life lessons, and another for adults with more profound themes. Frozen II doesn’t reach this last level, but its layered screenplay allows for an exploration of Elsa’s powers that I genuinely didn’t expect. However, there’s an evident downside to the extreme focus on Elsa’s journey… The other characters are put aside with irrelevant subplots that only stretch the runtime a bit too much, and unfortunately, reach a certain point where out-of-character actions occur.
There’s even a period of time where a particular character simply vanishes from the story because Jennifer Lee and Chris Buck couldn’t figure out what to do with it during the last act. Despite the subplots not being impactful or not being able to further develop its characters, I can’t deny some sequences are entertaining and funny as hell. Olaf is the absolute MVP of the film, and just like in the original, he doesn’t exactly have an arc. Nevertheless, he has one of the most hilarious sequences of the year. I cried from so much laughter. His song and a couple of scenes where Josh Gad goes all out are some of the funniest of the whole movie.
The voice cast is once again perfect. Anna, Kristoff, and Sven are sort of along for the ride, with the trio only doing something useful in the last 15-20 minutes. Elsa is the real star of the show. From the opening shot to the last, it’s all about her, and her powers’ origin. It might get too convoluted for kids, but despite a few minor missteps, it’s an extremely well-developed screenplay. With a remarkable build-up and some truly amazing songs, Elsa goes through several action moments where she showcases all that her magic can do. And it’s visually mind-blowing. Like in the first film, the animation quality is extraordinary.
They really put 200% effort into Elsa’s magic sequences. From her running against a tide of waves to fighting against the four elements (water, fire, earth, and air), there are imaginative and incredibly entertaining scenes, which give the movie a level of entertainment superior to its predecessor. Put this together with the wonderful, powerful score, and you get a pretty epic film, scale-wise. I mean, Into the Unknown is not going to reach Let It Go’s level of worldwide craziness, but it’s a phenomenal song. It’s even better hearing it while watching the actual scene play out. Both this one and Show Yourself have a build-up worthy of sending chills down your spine.
All Is Found is also a memorable lullaby that a lot of parents are going to sing for their kids. When I Am Older is Olaf’s hilarious musical moment that left me laughing throughout its entire run. I love Frozen II’s score, more than the original’s. That’s something I genuinely wasn’t expecting at all. Looking back, I now think the first installment doesn’t even have enough significant songs. This sequel has tons of songs that are either extremely important for the characters or funny parodies. All are very captivating, catchy, and emotionally resonant. My advice: please, don’t listen to the soundtrack before watching the movie. Not only the titles and lyrics offer plot spoilers, but they ruin that “first experience” feeling. I got chills during a couple of them precisely because I watched besides only hearing them.
All in all, Frozen II compensates the six-year wait with a follow-up worthy of standing up to its original, which in my opinion, surpasses it. With an emotionally complex narrative, Elsa’s powers are explored and developed in a captivating, creative, fun, and entertaining way. Disney really put their best animators on this because the quality of animation has never been as visually impressive as this. It really feels like a magical film. Elsa’s magic demonstration plus the powerful, chill-inducing original score are two aspects that together provide some truly epic moments. However, Olaf is the MVP with a lot more screentime than in the original, and with a couple of the most hilarious scenes of the year. It’s a shame that the focus on Elsa’s arc pushed every other character aside, making them feel useless and with no exciting or impactful subplot. Runtime feels a bit stretched due to their side adventures, and exposition is pretty heavy throughout the entire duration. In the end, it’s still a contender for Best Animated Feature Film of 2019.
Rating: B+
Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom.
Frost film Wikipedia den frie encyklopædi ~ I december 2011 efter successen med To På Flugt annoncerede Disney filmen Frozen med udgivelse i november 2013 Chris Buck der havde været associeret med projektet siden 2008 var fortsat filmens instruktør I januar 2012 begyndte Kristen AndersonLopez og Robert Lopez at skrive teksterne til filmen Oprindeligt var Snedronningen en
Frost 2 Wikipedia den frie encyklopædi ~ Frost 2 også kendt som Frost II er en amerikansk computeranimeret musical eventyrfilm fra 2019 produceret af Walt Disney Animation er en efterfølger til biografsuccesen Frost fra 2013 hvor de originale instruktører Chris Buck og Jennifer Lee er tilbage det samme er sangskriverne Kristen AndersonLopez og Robert Lopez samt komponisten Christophe Becke
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The Frozen Ground Wikipedia den frie encyklopædi ~ The Frozen Ground er en amerikansk thriller fra 2013 skrevet og instrueret af Scott Walker Filmen er baseret på jagten efter seriemorderen Robert Hansen 19392014 fra Alaska i starten af 1980erne Robert Hansen dræbte mindst 17 unge kvinder Han kidnappede dem tog dem ud i Alaskas ødemark hvor han skød og begravede dem
Lad det ske Wikipedia den frie encyklopædi ~ Lad det ske It Go er en sang fra Disneys animationfilm fra 2013 er skrevet og komponeret af Kristen AndersonLopez og Robert amerikanske skuespiller Idina Menzel synger sangen i den originale udgave af filmen mens Maria Lucia Rosenberg synger den danske version Den danske tekst er skrevet af Trine Dansgaard Den originale singelversion er sunget og
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Wikipedia den frie encyklopædi ~ Dreadnoughten var den fremherskende type af slagskibe i det 20 århundrede Det britiske slagskib HMS Dreadnought havde en så stor betydning for udviklingen af slagskibe da den blev søsat i 1906 at slagskibe som blev bygget efter dette blev omtalt som dreadnoughts og ældre slagskibe blev så omtalt som prædreadnoughts Skibets udformning indeholdt to revolutionerende fornyelser
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Disneytegnefilm Wikipedia den frie encyklopædi ~ Den følgende liste af Disneytegnefilm består af traditionelle såvel som animationstegnefilm produceret eller udgivet af The Walt Disney Company eller dets underafdeling Walt Disney Productions Den følgende liste er blevet inddelt kategoriseret efter hvilken underafdeling der stod bag filmen Walt Disney Studios begyndte at arbejde med korte tegnefilm i 1923 hvor 1937 blev året
Madonna entertainer Wikipedia den frie encyklopædi ~ Få måneder efter optagelsernes afslutning føder hun sit første barn datteren Lourdes Maria Ciccone Leon Madonna udgiver albummet Ray of Light i 1998 der høster mange anmelderroser foruden titelnummeret hitter stort med singlerne Frozen og The Power of Goodbye
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